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はちみ津

はちみ津

自分で作った文章をDeepL翻訳で英訳したものです。どうぞ
What Do People Think About Parallel Worlds?

This paper examines the psychology behind why people find hope in “parallel worlds,” drawing on observed cases of parallel worlds and the author's own experiences.

When feeling stymied by reality, many dream of rebirth in a parallel world. Some imagine fantastical realms, others envision a life of leisure free from toil, and still others picture worlds where competition itself does not exist. However, such rebirth desires often stem from an extension of the psychological phenomenon known as “the grass is always greener on the other side.”

Even inhabitants of materially prosperous worlds enjoying relative peace may dream of parallel universes. Yet even if transition to such a world were possible, there is no guarantee it would be safer or more abundant than the present. In fact, it is far more likely to be a world where life holds significantly less value, medical care and resources are scarce, and survival conditions are harsh.
Is this yearning for a parallel world merely an escape from reality? This question is by no means off the mark.

Even if reincarnation or interworld travel were somehow successful, what begins there is the urgent challenge of “survival.” Without that resolve, one should not lightly idealize another world.

That said, this point applies equally to the world I currently inhabit. Colonialist domination persists in some regions, urban areas grapple with antisocial forces and slums, and rural areas suffer social stagnation due to power concentration among the elderly. Furthermore, an environment where individuals can easily wield magic technologies and abilities that function as weapons inherently contains instability.
Even so, compared to the myriad parallel worlds, it could be said this one belongs to the relatively livable category.
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つー

#MyCollectionArchives
0077:MR.BIG/MR.BIG

In 1988, bassist Billy Sheehan, who left DAVID LEE ROTH BAND after recording the album SKYSCRAPER, set out to form his own band. Eric Martin, who had released two solo albums at the time and was talented but had not yet made his breakthrough, joined the band. They were further joined by Pat Torpey, formerly of Ted Nugent and Imperterri. Finally, they welcomed Paul Gilbert, guitarist of RACER X, who was attracting attention in the L.A. music scene at the time, completing the squad.

They made a demo and took it to record companies. They eventually signed with ATLANTIC/WARNER and began recording. Despite a low budget and tight schedule, they welcomed producer Kevin Ellison and completed their first album, "MR. BIG". It was released in 1989. At the time, they were strongly perceived as "that band formed by Billy Sheehan and Paul Gilbert," and their bluesy side rarely received much attention.
The times were harsh for bands like them, and they struggled to achieve the success they hoped for in their home country, the U.S. Nevertheless, they grew into a tight band, mainly playing clubhouse venues, including tours as the opening act for RUSH and on a package tour with WINGER.

Recommend:ADDICTED TO THAT RUSH, MERCILESS, HAD ENOUGH, BLAME IT ON MY YOUTH, TAKE A WALK, BIG LOVE, HOW CAN YOU DO WHAT YOU DO, ANYTHING FOR YOU, ROCK & ROLL OVER, 30 DAYS IN THE HOLE
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Aki

Aki

#firstpost Hi Everyone! My name is:
This is my first post. Let's vibe! lol

Hi guys, I feel a little awkward being here, but I've always wanted to know what kind of people live in Japan, so I hope you won't be too harsh on this post. I'll be posting occasionally and asking questions about your lives, etc. :>

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yui

yui

MUSIC BANK's criticism of K-POP is way too harsh…
Supporting your favorite things is something you do within your own limits, right?


ミューバンのKポ批判どうにかならないかな🥲
正直、KポとJポ(?)は一緒になるといいことがあんまりない気がする…。
#ミューバン
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