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now I gotta say don
dake and say gon
kage and say BOOM
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0048:VINCE NEIL/EXPOSED
After leaving Mötley Crüe in 1992, Vince signed with Warner and began working toward the release of a solo album. He hired outside songwriters to write songs for the album.
Vince was originally going to hire Adrian Vandenberg as a lead guitarist, who had just finished his stint with WHITESNAKE, but just before the press release, Warner, the record company, asked Steve Stevens, who had just left Jerusalem Slim, the band he was in with Michael Monroe at the time, to join as a lead guitarist. However, just before the press release, Warner, the record company, strongly requested to hire Steve Stevens, who had just left JERUSALEM SLIM, the band with Michael Monroe at the time, and he joined. The drummer was Vick Fox from Enuff Znuff, and with a lineup including Dave Marshall on 2nd guitar and finally Robbie Crane on bass, the first solo album "EXPOSED" was released in April 1993. Incidentally, until the final stages of the recording process, Phil Soussan (ex-Ozzy Osbourne) was the bassist, but was replaced by Robbie following his departure.
This album is a MUST for Motley fans. The original Mötley Crüe went in a direction that incorporated grunge and industrial, but Vince has managed to express here the music that fans originally wanted from Mötley Crüe. This is a so great masterpiece!!
Recommend:LOOK IN HER EYES, SISTER OF PAIN, CAN'T HAVE YOUR CAKE, FINE, FINE WINE, THE EDGE, CAN'T CHANGE ME, SET ME FREE, YOU'RE INVITED
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#XJ13
塗装後に研ぎ出しを始めました。
1200番で磨ききれない凹凸が残っているところを#180番で完全にフラットにしたので、下地が出てしまったところが数箇所あるので修復してから研ぎ出しを再開したいと思います
#modelfactoryhiro
#XJ13
After painting, I started polishing.
I used #180 to completely flatten the uneven areas that couldn't be polished away with 1200 grit, but there are a few areas where the base coat is exposed, so I'll repair them and then resume polishing.
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Justice—where is it? In a world where “if you don’t get caught, you’re not punished” has become reality, I feel a deep sense of anger and unease. People deceive, destroy lives, even take lives, and if they slip through the cracks of law enforcement, they walk free. In one country, individuals enter on tourist visas, disappear into hidden compounds, commit fraud for months or years, and return home as if nothing happened. If they aren’t caught, they repeat the cycle. Will they continue scamming until death? Do they feel no remorse, even as they age? These questions terrify me. People have died. Families have been shattered. Yet the local government fails to act decisively, and criminal networks thrive. Economic aid flows in, but with it comes silence and complicity. Is it just me who sees this aid as a mask for enabling crime? Some say, “Anyone who goes there is asking for it.” But that blames the victim and excuses the perpetrator. Victims had dreams. They were trying to survive. Their trust was betrayed—not just by the scammers, but by the systems that failed to protect them. Fraudsters are often trapped in their own networks, exploited while exploiting others. Escape means violence, confiscated passports, confinement. They lose their humanity. And this structure is upheld by weak enforcement, legal loopholes, and global indifference. What is justice? What is law? Is a crime not a crime if it’s never exposed? I refuse to accept that. A crime remains a crime. A society where lives are destroyed without consequence is a society without justice. It’s a place where the vulnerable are silenced. I won’t ignore this reality. If anger can become words, maybe those words can protect someone. That’s why I speak. Justice begins when someone dares to speak. We must not look away. The moment we say “it’s not my problem,” justice dies. Even if it happens far away, it’s part of our world. Fraud doesn’t just steal money. It steals trust, dignity, and futures. And the idea that “if you don’t get caught, you’re safe” threatens the foundation of society. Victims didn’t just lose money—they lost faith in people, in systems, in hope. That pain is invisible. That pain is silent. So I want to give it voice. That’s the first step toward justice. The end for scammers is rarely glamorous. They live in fear, isolation, and distrust. Yet they continue, because society lets them. If they aren’t punished, why stop? Unless we change that structure, victims will keep multiplying. I want to believe in justice. Maybe that’s naïve. But if no one believes, justice doesn’t exist. If no one speaks, justice doesn’t move. So I turn anger into language, sorrow into sentences, questions into challenges, and hope into proposals. Justice isn’t distant—it lives within each of us. In our courage to speak, our refusal to look away, our willingness to care. That’s where justice begins. I believe in words. I believe words can change the world. So I write. To reach someone. To make sure no life is trampled again.
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0049:VINCE NEIL/CARVED IN STONE
Vince's second album, released in September 1995, was a major change of direction from his previous masterpiece, and featured the Dust Brothers as producers, transforming the album into an industrial, alternative rock style.
Steve Stevens left the band midway through the last tour, and Brent Woods was hired for this album.
At the time, the album received considerable criticism and sales were sluggish. The poor sales of this album led to the return of Motley later on.
Re-evaluating the album now, 30 years after its release, I feel it's a pretty good album. The root of the evaluation at that time was undoubtedly the halation caused by the too big difference from the previous album "EXPOSED". I can't help but think that with a little more gradation leading up to CARVED IN STONE, Vince's journey of challenge would have continued while still being accepted by old fans.
Recommend:BREAKIN' IN THE GUN, THE CRAWL, ONE WAY, BLACK PROMISES, SKYLAR'S SONG, THE RIFT
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fuck you 🖕🏼 gravity app
i didn't write anything bad, just absurd
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59歳既婚です
60プリウスPHEVに乗ってます
マンション住まいで充電難民ですが
近くに充電設備があるので楽しくやってます。新型プリウス乗りの方、フォローをよろしくお願いします😀
そのほか、ハイキング、ゲーム、模型工作等いろいろチャレンジしてます。楽しいことはなんでも好きです。男女問わず友達になってください。
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If you're curious, hit that fxxkin' follow.
#MyCollectionArchives
強め:音楽、F1、歴史、宇宙、文明
1週間6食ラーメン実施中。
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tapir
浪人1年を経て、今は経済学科の大学一年生です。
ピアノやkpop、洋楽をよく聞きます。
テキストメッセージは苦手です。がんばります。
あたしがやりたいようにやるんですわ。
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