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巨海 つむぎ

巨海 つむぎ

悲しいニュース

【Breaking News】
Taiwan: Kuomintang, Chinese Communist Party's People's Liberation Army, and Taiwan's Democratic Progressive Party form coalition. Kuomintang's Zheng Liwen becomes President! Zheng Liwen's slogan: "So we can proudly call ourselves Chinese Han people."
Taiwan has fallen by endorsing the One China principle.
Japan's Kōichi Yoshimura LDP-Japan Innovation Party coalition government, unaware of the fall, is still being manipulated by the falsehoods of Happy Science, Reiyukai, and the Family Federation for World Peace and Unification (formerly the Unification Church) regarding a Taiwan contingency.
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太郎

太郎

今ここに命のありしを忘れゐて他の戸を敲く人のおろかさ
forgetting that
life is
here and now─
the folly of those who
knock on other doors
 
かりそめのこの世と知らず競ひ合ふ人の多さや愚かさ深し
unaware that
this is a temporary world
so many people
competing against each other
stupidity is deep
 
冬薔薇の謎解きがたし美しき女を思ふ心のごとくに
the mystery
of the winter rose
is a beauty
that is hard to solve─
like the heart that loves a woman
 
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太郎

太郎

憎しみに悪しき感情起こさでも紅葉きたればやがて散る身よ
even if it does not cause
the evil feeling
of hatred
though the autumn leaves
will soon fall
 
われ死せばわが認識の世界なく歴史に残す一塵もなし
when I die
there will be
no recognition of me
not a speck of dust left
in the world

十二月芥舟ゆく荒漢の叫びも知らず南天の紅
december
garbage boat going
of rough men
unaware of the screams
nandina’s red
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IRON

IRON

Just visited the Nakanoshima Museum of Art in Osaka—a place I've been wanting to check out since moving here! The timing couldn't have been better, as today was the opening of "Space In-Between: Shizuko Yoshikawa and Josef Müller-Brockmann." While even design enthusiasts like myself know Josef Müller-Brockmann as a pioneer who laid the foundation for modern design through International Typographic Style and the Grid System, I was (embarrassingly!) unaware that his wife was a Japanese artist. As I gazed at their works—Shizuko Yoshikawa's art and Josef Müller-Brockmann's design—I was struck by how art and design, while distinct, are inseparable and deeply interconnected. Their relationship seemed to mirror the very nature of their creative domains.
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アサギ2

アサギ2

I am the bone of my sword.

体は剣で出来ている

Steel is my body, and fire is my blood.

血潮は鉄で、心は硝子

I have created over a thousand blades.

幾たびの戦場を越えて不敗

Unaware of beginning.

たった一度の敗北もなく

Nor aware of the end.

たった一度の勝利もなし

Stood pain with inconsistent weapons.

遺子はまた独り

My hands will never hold anything.

剣の丘で細氷を砕く。

――――yet,

けれど、

my flame never ends.

この生涯はいまだ果てず

My whole body was

偽りの体は、

still

それでも

“unlimited blade works”

剣で出来ていた――――!!
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manacuba

manacuba

The Japanese press is a banquet of left and right optimists = lunatics with no sense of crisis. They are insulated from the real malice creeping in from the rest of the world. The puppets, politicians and bureaucrats, will talk about territorial issues in a carefree manner with optimistic hopes = an unlikely possibility. They are unaware that even their own psychology is being systematically manipulated. The most frightening person in human relations is a social scientist, a member of the society, who sees into one's psyche, predicts one's behavior, and gently brainwashes one through verbal psychology.

Translated with DeepL.com (free version)


日本の言論紙は左右の楽天主義者=危機感を持たない狂人たちによる宴だ。世界から忍び寄る現実の悪意からは隔絶されている。政治家や官僚という操られ人形は、呑気に領土問題について楽感的な希望=見込みのない可能性を口にするだろう。自分たちの心理すら計画的に操られているとは知らずに。人間関係において最も恐るべき相手は、自己の心理を見抜き、行動の予測し、言葉の心理学によってやんわりと洗脳を施す社会科学者=the societyのメンバーである。

英語学習英語学習
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病兎店長🐰🫀

病兎店長🐰🫀

I am the bone of my sword.

――― 体は剣で出来ている。


Steel is my body, and fire is my blood.

血潮は鉄で 心は硝子。


I have created over a thousand blades.

幾たびの戦場を越えて不敗。


Unknown to Death.

ただの一度も敗走はなく、


Nor known to Life.

ただの一度も理解されない。


Have withstood pain to create many weapons.

彼の者は常に独り 剣の丘で勝利に酔う。


Yet, those hands will never hold anything.

故に、生涯に意味はなく。


So as I pray, UNLIMITED BLADE WORKS.

その体は、きっと剣で出来ていた。


衛宮士郎(Fate/Stay night)

体は剣で出来ている

I am the bone of my sword.


血潮は鉄で心は硝子

Steel is my body,and fire is my blood.


幾たびの戦場を越えて不敗

I have created over a thousand blades.


ただ一度の敗走もなく、

Unaware of loss.


ただ一度の勝利もなし

Nor aware of gain.


担い手はここに独り、

Withstood pain to create weapons,


剣の丘で鉄を鍛つ。

waiting for one's arrival.


ならば、我が生涯に意味は不要ず、

I have no regrets.This is the only path.


この体は

My whole life was


無限の剣で出来ていた

"unlimited blade works"


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