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棚田
(Scattered→Luminous→Abyss)で泣いてたら脚気ダンスやりだして涙返せになった

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Broken and scattered
In mercy gathered
Mended and whole
Empty-handed
But not forsaken
I've been set free
I've been set free...
Broken Vessels (Amazing Grace)

棚田

みあぞん
推しとチェキ写真プロンプト
↓
推しとチェキ写真
Take a photo taken with a Polaroid camera. The photo should have a slight blur and a consistent light source, like a flash from a dark room, scattered throughout the photo. Don't change the face. Change the background behind those two people with white curtains. With that boy hugging me.






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monaca
🇬🇧1996
インディーズシリーズのラストになります[星]
本当に美しい曲[照れる]✨️
Strangeloveは陰鬱なムードを漂わせた楽曲が多いのですが儚い煌めきや美しさを表現するのがとても上手いバンドで私の中で唯一無二の存在[ハート]
スウェードやマニックス(特に失踪前のリッチー)も彼らを気に入ってライブのオープニングアクトに起用してました。
このアルバムは2ndで、3rdアルバムを最後にバンドは解散してしまいますが、残した楽曲は素晴らしいです[照れる]✨️
歌詞も素敵なので一部ご紹介♪
I remember stars above her
彼女の上で輝く星たちを覚えてる
Scattered through this sky just for her
彼女のためだけにこの空に散りばめられていた
And how very much I loved her
どれほど彼女を愛していたか
Beautiful Alone
美しい孤独

Beautiful Alone

なな
Milky Way
A woman met a man.
He was always busy —
work,
and the quiet gravity of raising a child,
especially on weekends.
In the soft tangle of their lives,
she stood at a distance,
watching him
like someone studying the moon
without knowing its language.
But he was kind,
gently consistent.
He opened doors without asking.
Listened with his eyes.
Never rushed.
She wanted to understand
the world behind his silences —
so she scattered herself across
the pages of the books he loved,
tracing underlined sentences,
searching for fingerprints
in borrowed thoughts.
And quietly,
without permission,
she fell.
They built soft mornings —
half-spoken smiles,
the clink of cups,
laughter tucked into pillow folds,
light warming the floor
where no words were needed.
But he carried
carefully folded wounds:
a divorce,
a quiet betrayal,
sorrow pressed deep
beneath a practiced smile.
Time passed
as it always does,
and small things
grew teeth.
They argued,
not to win,
but to be seen.
To hold their truths
in the same room
without flinching.
But they were not ready.
Still learning
how to keep love safe
from the weight of their histories.
So they stepped back.
Gently.
With trembling hands
that had once held each other
without fear.
They don’t speak of it now.
But she keeps the book
with his notes in the margin
of page ninety-four.
And he still,
on certain quiet evenings,
pauses
as if listening for a voice
that once knew his name
better than he did.
Their paths parted —
but not their light.
That love,
soft and ancient,
still spills across their skies —
not fading,
but scattering
like the Milky Way:
separate,
but forever
part of the same night.
Ryo
詩:白い薔薇への想い White rose perfume
その想いは
切なく
その願いは
辛い
届くことの無い
想いは
長く牢獄に
囚われた心の様
届くのは
広い夜空に光る
眩い月の光と
漆黒の夜空に
散りばめられた
星達の瞬き
-戒-
Poetry.
”White rose perfume”
The longing
is aching,
the wish,
painful.
A longing
that will never reach,
like a heart imprisoned
for ages.
What arrives
is the radiant light
of the moon
in the vast night sky,
and the twinkling
of stars scattered
in the pitch-black night.
-Kai-
God bless you.



Dolly, Op. 56: No. 5 in D-Flat Major, Tendresse
つー
0040:MOTLEY CRUE/SUPERSONIC AND DEMONIC RELICS
After parting ways with Elektra Records in 1998, Mötley Crüe took matters into their own hands and launched their own label, Mötley Records. The following year, in 1999, they went all out—remastering and re-releasing all their original albums, from their explosive debut "Too Fast for Love" to their then-latest "Generation Swine", each packed with bonus tracks.
But they didn’t stop there. Scattered across various compilation albums were rare tracks and unreleased gems that had never made it onto their original records. So, instead of letting them fade into obscurity, the band gathered them all into one album—this very collection.
Recommend:Conforms to studio version

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