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あヲさ

ふぃーと
You're the whole audience when I sing
You're all the listeners when I speak
You're everyone surrounds me
You're all that matters to me
いつも通りコンビニでご飯買って帰って、でも何となくお腹空かなくて未だに食べてない…そんなクリスマスイヴ
爪と指の間に隙間ができてきて爪がとれそうな気配がした…そんなクリスマスイヴ
ただただハイボールが美味しい…そんなクリスマスイヴ
サンタクロース
つー
0073:DAVID LEE ROTH/YOUR FILTHY LITTLE MOUTH
This is the fourth album released in 1994. In a sense, the appointment of Nile Rodgers as producer was a surprise.
The sound of the album is closer to DLR's own musical origins. Instead of the arena rock style of the past, it features a wide range of music, including blues, jazz, big band, country, disco, and rock.
The band members have also changed. Touring members not from the metal community were assembled.
However, listeners' image of DLR and what they wanted from him diverged greatly, and the band failed to make it to #78 on the North American charts. The contract with Warner, with whom DLR had been in a relationship for many years, was terminated.
Recommend:SHE'S MY MACHINE, EVERYBODY'S GOT THE MONKEY, BIG TRAIN, A LITTLE LUCK, HEY,YOU NEVER KNOW

つー
0008:BONJOVI/CRUSH
This original album was released around 5 years after the last album THESE DAYS.
Many of the songs have a positive, snappy tempo, and one of the most notable is the birth of "IT'S MY LIFE". The quality of the album is very high, as the band prepared more than 60 demos over the past five years.
IT'S MY LIFE is considered to be the answer song to the rare classic LIVIN' ON A PRAYER. For me, it feels more like a "millennium update" than an answer song.
The whole album is very close to the "current Bon Jovi image" that listeners expect.
Recommend:IT'S MY LIFE, SAY IT ISN'T SO, THANK YOU FOR LOVING ME, TWO STORY TOWN, NEXT 100 YEARS, JUST OLDER, SAVE THE WORLD, CAPTAIN CRASH AND THE BEAUTY QUEEN FROM MARS, ONE WILD NIGHT

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