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elle / エル


cibo

アオム

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きんお
I wanna know, have you ever seen the rain
Comin' down on a sunny day...
#fine873
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おかあさん
日本では結構ネガティブな意味あるけど、
時と場合によっては、
必要な時があると思う、今日この頃w
正義の反対は、悪じゃないんだよな。
正義の反対は、もう一つの正義だよなぁ😂
Having high pride! In Japan, it’s often seen in a pretty negative light, but depending on the time and place, I think there are moments when it’s actually needed, these days lol
The opposite of justice isn’t evil, ya know. The opposite of justice is just another form of justice 😂
#お母さん
#今更笑

みかんでできてる犬
Depict me wearing the costume of Emperor Hirohito from Japanese history, incorporating the clothing design seen in Mobile Legends. Create his signature pose, characterized by stark cinematic lighting and intense contrast. Captured with a slightly low, upward-facing angle that dramatizes the subject's jawline and neck, the composition evokes quiet dominance and sculptural elegance.
The background is a deep, saturated crimson red, creating a bold visual clash with the model's luminous skin and dark wardrobe. Lighting is tightly directional, casting warm golden highlights on one side of the face while plunging the other into velvety shadow, emphasizing bone structure with almost architectural precision.
The subject's expression is unreadable and cool-toned—eyes half-lidded, lips relaxed—suggesting detachment or quiet defiance. The model wears a heavy wool or felt overcoat, its texture richly defined against the skin's smooth, dewy glow. Minimal retouching preserves skin texture and slight imperfections, adding realism. Editorial tension is created through close cropping, tonal control, and the almost oppressive intimacy of the camera's proximity. There are no props or accessories; the visual impact is created purely through light, shadow, color saturation, and posture—evoking high fashion, contemporary isolation, and hyper-modern masculinity.
Make the face and hairstyle as similar as possible to the one in the photo. Make the costume highly detailed and realistic. Maintain the same hairstyle and color, and use similar colors and textures!
これやったらえぐかった

Cheyenne

くらげ🪼0226
爆睡できる

くらげ🪼0226


Ася
Long time no see~
A small life update: I’m now a penetration engineer, and honestly, I’m really happy about it.
Sometimes I catch myself thinking—I wish you could know the fuller version of me.
I wish you had known me at five.
Back then, I was pure sunshine. Loud joy, obvious eagerness to be seen. I greeted every neighbor with a sweet smile, volunteered to recite poems and dance during holidays without being asked.
Now, I need a long mental warm-up just to speak in public.
I wish you had known me at fourteen.
I was sharp-edged, almost feral. I argued with my math teacher over a solution, red-faced and stubborn, because I believed truth mattered more than keeping the peace.
Now, before I disagree, I take several careful turns in my head.
I wish you had known me at eighteen.
The girl who replayed the same song at midnight, filled notebooks with cryptic words, and believed—without needing reasons—in love. Her joy and sorrow were both dramatic, ceremonial.
Not like now, where I quietly organize my emotions and keep them neat.
It’s not that I dislike who I am today.
On the contrary, I really do like myself now.
But every once in a while—just once in a while—I miss those versions of me: the lively one, the sharp one, the melancholic one.
When I meet someone I truly click with, I can’t help thinking:
If only we had met earlier. Then we could have walked alongside each other for much longer.
You would’ve seen that the light in my eyes isn’t just politeness—it also carries something untamed.
You would know that my brightness doesn’t come only from experience, but from an unpolished sincerity.
You would understand how much past passion is hidden inside my gentleness.
And one more thing—I hate goodbyes.
I hate that everyone leaves carrying only a fragment of me.
It makes me feel like a book taken apart: one chapter with you, another with someone else, never whole.
I don’t want to be a book in pieces.
See? I’m greedy.
With new friends, I wish they could know me sooner.
With old friends, I wish they would never leave.
I know, though, that none of those versions of me ever disappeared.
They all live inside who I am now.
The courage of my five-year-old self still lets me meet the world with sincerity.
The sharpness of fourteen gives me boundaries beneath my softness.
The sensitivity of eighteen allows me to feel how complex—and fascinating—humans are.
Like rain from different seasons flowing into the same river:
the liveliness of early spring,
the intensity of midsummer,
the calm of late autumn—
all of it becomes the river in the end.
So I tell myself this:
Maybe new friends can glimpse my past through who I am now.
Maybe old friends can imagine my future through who I am now.
And the friends I’ve lost along the way—
perhaps they’re living happily in parallel timelines, carrying one version of me with them.





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くらげ🪼0226
くらげ🪼0226です
年齢は22です03です
ブロックとかする人嫌いなのでブロックする人はフォローまずしないでね
寝る時は基本的に甘々です
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cibo
「シボ」。身長184cm、ASD(日本語苦手)、双極症、MtF(戸変済、穴なし)、パンセクシャル、会話苦手、ちょっと男性嫌悪
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おかあさん
みんなのおかあさん
お母さん28年目。4人自然分娩。ワーママ。音楽🎵お酒🍺ビーバー🦫と人生を楽しむ。趣味はサッカー観戦、ゴスペル。民間防衛、防災グッズマニア、無宗教。
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みかんでできてる犬
女の子需要高い🍀でも人のこと性別でみてなくて、ただここでは恋愛はしない!フォローははなしたことあるひと!友達が受験終わったらやめる!
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Cheyenne
アメリカ在住18年目の日本人です。
海外在住の方と繋がれたら嬉しいです🥳
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