人気
つー
0043:MOTLEY CRUE/RED, WHITE & CRÜE
In 2005, Tommy Lee returned to the band after a six-year absence, and this was the third best album of the original lineup's return.
This two-disc set includes four new songs.
A world tour was launched in support of this album.
Recommend:IF I DIE TOMORROW
22
つー
0011:BONJOVI/BOUNCE
This studio album was released two years and four months after the previous album. The release date of the Japanese version was timed to coincide with a full year after the terrorist attacks 9.11 in the United States.
Although those current affairs are largely reflected in the album, they rocked in their own way.
It's an album with an atmosphere similar to that of the recent past.
Recommend:UNDIVIDED, EVERYDAY, THE DISTANCE, JOEY, MISUNDERSTOOD, HOOK ME UP, BOUNCE
19つー
0081:MR.BIG/LIVE
Following the success of "TO BE WITH YOU," they embarked on a world tour, and this live album captures the triumphant final leg of that tour at their hometown show in San Francisco. The track listing here is rather incomplete; the DVD recorded on the same day offers a full-length version including each member's solo segments.
The content truly captures the band riding high on momentum, delivering a satisfying performance that makes for a solid live album. I hope a full-length version gets released someday.
Recommend:Conforms to the selection of songs on the studio album.
25つー
0015:BONJOVI/LOST HIGHWAY
This album was released in the relatively short span of one year and nine months after the previous album, which boasted great sales.
I had expected that the flow of Who Says You Can't Go Home, which reached No. 1 on the country charts, would lead them in that direction, and I was right.
It was recorded in Nashville and contains "country as they describe it.
Artists of this era tended to gravitate toward country or blues in later years.
In the case of Japanese, it may be that they tend to lean toward 演歌,歌謡曲 (traditional Japanese ballads) and songs as they get older.
I still expect massive arena rock like the previous album, but I guess it can't be helped that there are times like this.
Recommend:LOST HIGHWAY, SUMMERTIME, WHOLE LOT OF LEAVIN', WE GOT IT GOING ON, ANY OTHER DAY, I LOVE THIS TOWN
16つー
0004:BONJOVI/NEW JERSEY
The album that made them REAL rock stars. It became a monster album, selling 8 million copies in the U.S. and over 18 million copies WW. It was also produced by Bruce Fairburn, as was the previous album.
This is an indisputable, phenomenal album!
Recommend:LAY ON HANDS ON ME, BAD MEDICINE, BORN TO BE MY BABY, BLOOD ON BLOOD, I'LL BE THERE FOR YOU
4つー
0061:VAN HALEN/LIVE:RIGHT HERE, RIGHT NOW
Double discs live album recorded from the tour that accompanied the "F@U#C%K" album from 1991 to 1993. This was the band's first live album.
It is enjoyable as a live album, and the content is good, but I feel it is a bit overdubbed.
Recommend:Conforms to the selection of songs on the studio album.
8つー
0055:VAN HALEN/FAR WARNING
Released in 1981, this 4th album reached #5 in the U.S.
This album has a big contrast between strong and boring songs.
Unchained" is a very awesome typical song of the band, and the intro of the song settles everything.
Mean Street" is a gripping song with tapping and slapping technique, and these are recorded on the album as great guitar plays that will be remembered for a long time to come.
Recommend:MEAN STREET, HEAR ABOUT IT LATER, UNCHAINED
5つー
0017:BONJOVI/GREATEST HITS
The best album is available in two versions: a one-disc standard edition and a two-disc Ultimate Edition. In addition, two new songs, which are recorded differently on the Japanese, International, and U.S. editions, are included in common, and only the Japanese Ultimate edition has a shm-cd version.
Recommend:None
5つー
0073:DAVID LEE ROTH/YOUR FILTHY LITTLE MOUTH
This is the fourth album released in 1994. In a sense, the appointment of Nile Rodgers as producer was a surprise.
The sound of the album is closer to DLR's own musical origins. Instead of the arena rock style of the past, it features a wide range of music, including blues, jazz, big band, country, disco, and rock.
The band members have also changed. Touring members not from the metal community were assembled.
However, listeners' image of DLR and what they wanted from him diverged greatly, and the band failed to make it to #78 on the North American charts. The contract with Warner, with whom DLR had been in a relationship for many years, was terminated.
Recommend:SHE'S MY MACHINE, EVERYBODY'S GOT THE MONKEY, BIG TRAIN, A LITTLE LUCK, HEY,YOU NEVER KNOW
7つー
0019:BONJOVI/WHAT ABOUT NOW
This studio album is their first release in three years since their last album, CIRCLE. The entire album is a typical work of theirs.
As they release more and more albums, they rarely produce good material, but here they have come up with another great album of songs. BEAUTIFUL WORLD" is one of the best songs on the album. It's awesome stuff!
Recommend:BECAUSE WE CAN, WHAT ABOUT NOW, THAT'S WHAT THE WATER MADE ME, BEAUTIFUL WORLD
12 もっとみる 
新着
つー
0083:MR.BIG/JAPANDEMONIUM:RAW LIKE SUSHI Ⅲ
This LIVE EP captures the Japan leg of the Bump Ahead Tour held in 1993. Following this tour, the "JAPANDEMONIUM TOUR" was also conducted, reflecting the band's high popularity in Japan.
Recommend:Track selection follows the studio album.
4つー
0082:MR.BIG/BUMP AHEAD
After completing a long tour, they entered the studio to begin recording, targeting a June 1993 release.
However, Atlantic demanded a "second TO BE WITH YOU," leading them to create numerous ballad demos that were ultimately rejected. They made dozens of demos, but the decision was finally made to add Cat Stevens' "WILD WORLD" as a cover track. The release was delayed three months from the original schedule, finally coming out in September 1993.
Compared to their previous work, it lacks variety, but it's an album where you can feel their underlying respect and reverence for the blues. The experience gained on tour and the band's growth as a unit are clearly evident in the result. North America was already engulfed by the grunge wave, so chart action was lackluster, but their popularity in Japan became firmly established.
Recommend:COLORADO BULLDOG, PRICE YOU GOTTA PAY, PROMISE HER THE MOON, WHAT'S IT GONNA BE, WILD WORLD, MR.GONE, THE WHOLE WORLD'S GONNA KNOW, NOTHING BUT LOVE, TEMPERAMENTAL
21つー
0080:MR.BIG/RAW LIKE SUSHI II
This EP features selections from the live recordings of the Japan tour. The original recordings were released on DVD, which contains the full concert. The hit song "TO BE WITH YOU" is also included, but it's performed with an electric guitar. This was because the electric-acoustic guitar malfunctioned during the live show and couldn't be used.
I was actually there for this live show, and it was an amazing performance.
Recommend:Conforms to the selection of songs on the studio album.
23つー
0079:MR.BIG/LEAN INTO IT
Their second album, released two years after their debut. Like the previous work, Kevin Erson served as producer.
An exceptionally polished album. It stands as their signature work. Though it received little attention immediately after release, heavy rotation of the track "TO BE WITH YOU" on a local American FM station sparked its spread across the country, ultimately becoming a massive hit that reached No. 1 on the US charts as a single. The album itself climbed as high as No. 15 on the US charts.
This success led to an upgrade from their previous clubhouse-level tours to hall-level venues, enabling a world tour that primarily covered North America, Europe, and Japan.
Recommend:DADDY, BROTHER, LOVER, LITTLE BOY (The Electric Drill Song) , ALIVE AND KICKIN', GREEN-TINTED SIXTIES MIND, CDFF-LUCKY THIS TIME, VOODOO KISS, NEVER SAY NEVER, JUST TAKE MY HEART, ROAD TO RUIN, TO BE WITH YOU
23つー
0078:MR.BIG/RAW LIKE SUSHI
This live EP captures the band's North American tour as the opening act for RUSH following the release of their first album.
Recorded likely via DAT from the PA booth, it delivers an incredibly raw sound that lets you feel their drive, groove, and technique directly.
In Japan, they performed solo shows, and I was fortunate enough to witness this band during their formative years.
As a teenager at the time, I was utterly overwhelmed by their incredible technique and energy. Before I knew it, the live show was over. It remains an unforgettable memory to this day.
Recommend:Conforms to the selection of songs on the studio album.
59つー
0077:MR.BIG/MR.BIG
In 1988, bassist Billy Sheehan, who left DAVID LEE ROTH BAND after recording the album SKYSCRAPER, set out to form his own band. Eric Martin, who had released two solo albums at the time and was talented but had not yet made his breakthrough, joined the band. They were further joined by Pat Torpey, formerly of Ted Nugent and Imperterri. Finally, they welcomed Paul Gilbert, guitarist of RACER X, who was attracting attention in the L.A. music scene at the time, completing the squad.
They made a demo and took it to record companies. They eventually signed with ATLANTIC/WARNER and began recording. Despite a low budget and tight schedule, they welcomed producer Kevin Ellison and completed their first album, "MR. BIG". It was released in 1989. At the time, they were strongly perceived as "that band formed by Billy Sheehan and Paul Gilbert," and their bluesy side rarely received much attention.
The times were harsh for bands like them, and they struggled to achieve the success they hoped for in their home country, the U.S. Nevertheless, they grew into a tight band, mainly playing clubhouse venues, including tours as the opening act for RUSH and on a package tour with WINGER.
Recommend:ADDICTED TO THAT RUSH, MERCILESS, HAD ENOUGH, BLAME IT ON MY YOUTH, TAKE A WALK, BIG LOVE, HOW CAN YOU DO WHAT YOU DO, ANYTHING FOR YOU, ROCK & ROLL OVER, 30 DAYS IN THE HOLE
50つー
0076:DAVID LEE ROTH/DIAMOND DAVE
Covers album released in 2003.
It contains mainly rock and blues songs from the 70's arranged in a big band style.
Some songs from the VAN HALEN era are also included.
Recommend:ICE CREAM MAN
4つー
0075:DAVID LEE ROTH/DLR BAND
This is the fifth album released in 1998.
It was dropped from a major record company and became a form of independent release. It is a change from the previous album, with a hard rock style and many songs with a sense of speed. The momentum of the album is similar to that of "EM AND SMILE" but the production is cheap, which is a great disappointment. The production is cheap, and the quality of the production makes it difficult to get through the instruments, which is what the listener is looking for in DLR.
The main recording member is the young John 5, who is also a member of the recording team.
Recommend:SLAM DUNK!, BLACKLIGHT, COUNTER-BLAST, LOSE THE DRESS, LITTLE TEXAS, KING OF THE HILL, RELENTLESS, INDEEDIDO, TIGHT
6つー
0074:DAVID LEE ROTH/THE BEST
This is the best album selected from the four albums and EPs from the Warner era due to the fact that he left Warner.
Recommend:Recommendation conforms to the studio album.
3 もっとみる
関連検索ワード