Just visited the Nakanoshima Museum of Art in Osaka—a place I've been wanting to check out since moving here! The timing couldn't have been better, as today was the opening of "Space In-Between: Shizuko Yoshikawa and Josef Müller-Brockmann." While even design enthusiasts like myself know Josef Müller-Brockmann as a pioneer who laid the foundation for modern design through International Typographic Style and the Grid System, I was (embarrassingly!) unaware that his wife was a Japanese artist. As I gazed at their works—Shizuko Yoshikawa's art and Josef Müller-Brockmann's design—I was struck by how art and design, while distinct, are inseparable and deeply interconnected. Their relationship seemed to mirror the very nature of their creative domains.
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Just visited the Nakanoshima Museum of Art in Osaka—a place I've been wanting to check out since moving here! The timing couldn't have been better, as today was the opening of "Space In-Between: Shizuko Yoshikawa and Josef Müller-Brockmann." While even design enthusiasts like myself know Josef Müller-Brockmann as a pioneer who laid the foundation for modern design through International Typographic Style and the Grid System, I was (embarrassingly!) unaware that his wife was a Japanese artist. As I gazed at their works—Shizuko Yoshikawa's art and Josef Müller-Brockmann's design—I was struck by how art and design, while distinct, are inseparable and deeply interconnected. Their relationship seemed to mirror the very nature of their creative domains.
